Keynote Speaker: Dasan AhanuPoet, Emcee, Cultural Organizer, Playwright, Performance Artist, Lecturer, EducatorA self-described introvert with a very public profession, Dasan Ahanu is an award-winning poet, cultural organizer, performing artist, and scholar. He is a Southern storyteller who uses stories to deepen our understanding and awareness of what’s happening around us. Dasan is a visiting lecturer at UNC-Chapel Hill, an alumnus of Harvard University’s Nasir Jones Fellowship, and North Carolina’s 2023 Piedmont Laureate for poetry. He notes that creative artistry is embedded in the fabric of North Carolina and shows an incredible commitment to his home state. He has served various artistic leadership roles and consistently reinvests his talents. A respected recording artist, Dasan has collaborated with many Jazz, Soul, and Hip-Hop artists in North Carolina. He has published extensively, performed nationwide, and authored six poetry collections. Dasan has been active in poetry slam, participating in regional and national competitions as a founding member and coach of the Bull City Slam Team. He is a builder who works with organizations and institutions to develop effective arts strategies that enhance their work in the community.
- Alumni Nasir Jones Fellow – Hip Hop Archive at the Hutchins Center for African & African American Research, Harvard University
- Resident Artist – St. Joseph’s Historic Foundation/Hayti Heritage Center
- Managing Director – Black Poetry Theatre
- Member – Black Jedi Zulus
- Founder/Coordinator/Coach – Jambalaya Soul Slam/Bull City Slam Team
We are the Popular: Black Stories as Cultural DriversThis keynote explores the profound impact of Black stories on popular culture. From music and film to fashion and social media, Black narratives have shaped mainstream entertainment, redefined cultural trends, and driven social movements. The talk will highlight how Black life and experiences continue to provide the world a unique and dynamic sense of understanding, presence, and capacity. We know that the world watches, listens to, and engages with Black culture—often without diving due credit to the brilliance displayed. It also imitates, appropriates, and commodifies Black brilliance and activity as well. The value is inescapable and undeniable. In recognition of this fact, this keynote is an acknowledgement that Black stories don’t just influence pop culture—they are the popular!